In this series of cyanotypes, I explore visualizations of meaning-making by others using a Rorschach-like exercise. Each composition photo documents participants’ attempt to understand the patterns and relationships between small, bone-like, porcelain objects. My use of cyanotype references Anna Atkins' material usage within her early taxonomic inquiry.

Configurations & Coding, 2021, Cyanotype on paper on wood panel, 51 x 53 x 0.5 inches